Chances are, if you are anywhere near the Detroit music scene, you have heard of the influential hip hop trio that makes up Slum Village. The group was founded in the early 90′s by 3 childhood friends: Baatin, T3, rapper and producer J Dilla, who all grew up together in the Conant Gardens neighborhood of Detroit, MI. After leaving Pershing High School, the trio began to forge a path into the Detroit underground hip hop scene and quickly found themselves steadily gaining popularity, where they originally went by the name Ssenepod.
With a growing momentum now cemented in the underground, the group took on a forward trajectory toward bigger and better things, and in 1991 changed their name to Slum Village. J Dilla joined the production team known as The Ummah, which produced the two last A Tribe Called Quest studio albums, as well as hits for a number of R&B and hip hop musicians, and in 1996, they recorded their first album Vol. 1″ , recorded in Dillas basement and RJ Rice Studios, it was critically acclaimed in the Detroit underground scene. It later found its way into the hands of A Tribe Called Quest’s own Q-Tip, who played it for some of hip hop’s elite, such as Busta Rhymes, Questlove, and D’angelo. This fruitful alliance led to an opening gig for A Tribe Called Quest on their Farewell tour in 1998.
Slum Village landed their first record deal in 1998 with Barak/AM records. Due to label politics, the group was forced to release their album “Best Kept Secret” under the alias J-88,. Their now classic record, “Fantastic, Vol. 2″ was also in production, but was not officially released until 2000 through Barak/GoodVibe Records. “Fantastic Vol. 2″ was dubbed an immediate classic from fans and industry tastemakers. This album featured an A list line up including Busta Rhymes, Common, D’angelo, Jazzy Jeff, Pete Rock, Kurupt, and Q-Tip who passed the torch to Slum Village on the record “Hold Tight”. On the heels of this record release followed a tour with The Roots on the Okay Players tour/D’angelo Voodoo tour.
In 2001, while sitting down to discuss future plans, J Dilla made the decision to leave the group to pursue his solo career, citing the group was well established enough to move on without him. With J Dilla still around helping Young RJ with production, Baatin and T3 started work on their next album “Trinity” through Barak/Capital Records, featuring Elzhi on 6 of the tracks. This album would feature their first commercial single “Tainted” which ft an unknown Dwele, also disco and the remix produced by Timberland. Slum was presented with their headlining opportunity on the Family Tree tour, featuring Phife from A Tribe Called Quest.
In 2002, Dirty District, a compilation of songs by Detroit rappers largely produced by T3 and Young RJ, was released. The group then became a duo consisting of T3 and Elzhi, Baatin became sick touring shortly before the release of their 2004 album, Detroit Deli (A Taste of Detroit) and departed to seek treatment. The album included the hit single, “Selfish”, produced by Kanye West and featuring John Legend. The song samples a part of the intro to the hit song “Call Me” by Aretha Franklin. After parting ways with Capitol Records in 2005, they released Prequel to a Classic, a mixtape of mostly previously unreleased material, Slum went back into the studio to record the self-titled album Slum Village, with production from Young RJ and Black Milk. Following the album’s release, they went on tour with Shady Aftermath group, D12.
Tragedy struck in 2006 in the form of the loss of founding member J Dilla, to lupus, which put the group on a 4 year hiatus. In 2009, T3 reunited Baatin with the group, brought in Illa J (of Yancey Boys fame and J Dilla’s brother), and along with Young RJ, RJ Rice and Elzhi, started production on their next album, Villa Manifesto. Slum Village went back on the road as a trio including Baatin. Later in 2009 , Slum village performed at Rock the Bells as a trio consisting of T3 , Elzhi and Baatin, with the latter still coping with bipolar schizophrenia making him unable to travel when the tour continued into Canada that year. While T3 and Elzhi performed the Canadian shows, tragedy struck for a second time, claiming Baatin that summer at home in Detroit, his death was felt deeply throughout the Detroit Hip Hop scene.
slum village – climax
In 2010, the album “Villa Manifesto” was released under Ne’astra/Koch Records, featuring the late Baatin. By that time Elzhi had decided to move on and focus on pursuing his own solo career. Even though the group has suffered many heartaches and member changes, Slum Village always finds a way to reinvent themselves. At present, the evolution of Slum Village continues with a reinvigorated energy, with founding member T3 holding down the legacy , and grammy nominated producer Young RJ and Illa j, the young prodigy at his side. Slum Village has a new mixtape “Dirty Slums”, presented by DJ Mick Boogie, featuring artists such as Big Sean, Rapper Big Pooh, De La Soul, Focus, Skyzoo, Phonte, and Phife,after 100,000+downloads and rave reviews, the group released an official full length album and are planning on a sequel …As the industry changes, so has Slum Village, and yet and still while some think SV may have crashed and burned, they just keep coming up like the rising phoenix.
Slum Village & Dwele – Tainted
Born and raised in Boston, Lif broke out with his seminal Enters The Colossus EP, and quickly established himself as one of the most ambitious and forward-thinking MCs in the game.
As the first artist to sign to the legendary Definitive Jux Recordings – a movement in both independent rap and independent music culture – Lif cemented his status with a string of critically acclaimed releases, including Emergency Rations, I Phantom, & the Perceptionists’ Black Dialogue project.
In 2011, Lif joined legendary world music group Thievery Corporation as a vocalist and member of the band’s live performance troupe. His song “Culture of Fear” became the title track of their 6th studio album.
Lif has toured over 20 countries as a soloist, and has collaborated with a slate of critically acclaimed musicians including Aesop Rock, Cut Chemist, The Polish Ambassador, Galactic, Chali 2na, Jedi Mind Tricks, El-P, DJ Q-Bert, Del the Funkee Homosapien, Murs, and DJ Krush.
Today, if Lif is not in the studio tracking vocals or building beats on Maschine, he is on stages worldwide bringing his musical experience directly to the people.
Bakers Of The Holy Bread – The End Of A Cold Experience EP
CHOPPED HERRING RECORDS
The first 75 are on White, Orange and blue coloured vinyl.
The next 75 copies are on Silver, Black & White coloured vinyl.
And the remaining 200 are on traditional black vinyl
A1 Twelve Moments To The Only Conclusion
A2 Black Christ*Featuring – Field Nigga Soup
A3 Bring It On Back*Featuring – Field Nigga Soup
B1 Die With Your Boots On
B2 The End Of A Cold Experience
B3 Riddle In The Middle
BAKERS OF THE HOLY BREAD 1995 EP SWEDEN [LIMITED VINYL] CHOPPED HERRING
Bakers Of The Holy Bread – The End Of A Cold Experience (full album 1995)
Credability – SLP-CD-2005, Sidelake Productions – SLP-CD-2005
Producer – Collén & Webb
“Recording supported by The Swedish National Council for Cultural Affairs”
The Eternal Quest Remix is a hidden track which plays after the title track. It however omits the second verse of the original version.
Bakers Of The Holy Bread – The End Of A Cold Experience (full album 1995)
1 Twelve Moments To The Only Conclusion
2 Invisible Dred
3 Bring It On Back Featuring – Field Nigga Soup
4 Roughnecks Return
5 Three Views Concerning Human Knowledge (RMX)
6 Die With Your Boots On
7 Black Christ Featuring – Field Nigga Soup
8 Interlude 1
9 Eternal Quest Featuring – Field Nigga Soup
10 Straight From The Butt
11 Interlude 2
12 Letter To The Lord
13 The End Of A Cold Experience / Eternal Quest (Remix)
Featuring [Eternal Quest Remix] – Field Nigga Soup
Nathan Flutebox Lee
‘Doing to the flute what Jimi Hendrix did to the guitar…’
…is how Huey (Fun Lovin’ Criminals) described Nathan ‘Flutebox’ Lee’s unique talent.
Incorporating his dynamic trademark ‘Fluteboxing’ – simultaneously playing the flute whilst beat boxing; Nathan’s futuristic style is a fusion of Hip Hop, Dubstep, and Drum & Bass beats, blended with Jazz, Funk, and hypnotic Eastern melodies. He has established himself as a 21st Century pioneer of his art form, with his breathtaking, high-octane live performances, leading Arena Magazine to rank him number 18 on their list of the ‘100 Coolest Things on the Planet’
Equally at home playing a sell out show at the Purcell Room or the Prestigious Southbank Centre in London, as he is gracing the stage with a number of highly respected and well established acts, Nathan has collaborated live, and in the studio with legendary artists….
“Dog” Nathan ‘Flutebox’ Lee & The Clinic
Nathan “Flutebox” Lee & Biscuit BHTB Flutebox & Biscuit Sessions* – Part One |